Geographer Chris Perkins, co-author of the book Playful Mapping in the Digital Age, shares his love of maps and helps me explore the deep connection between mapping and play.
Thanks to my awesome Patreon backers for covering my running costs and keeping the show alive. And special thanks to my $5+ supporters Anuar Lequerica, Nick, Torbjørn Vik Lunde, and Watchsmart.
- Playful Mapping in the Digital Age
- Chris Perkins' page at the University of Manchester website
- Brian Harley's final major project before he died was co-authoring the first chapter (PDF) of The History of Cartography
- The Atlas of Remote Islands book on Amazon US, UK, AU, Book Depository (these are all affiliate links, so I'll get a bit of money if you buy it through one of them)
- There's also a pocket-sized version of that book, available at Amazon US, UK, AU, and Book Depository via this (second) set of affiliate links
- Rhiannon Firth, Critical cartography as anarchist pedagogy?
- Bill Bunge's Nuclear War Atlas poster
- The Nuclear War Atlas book is out of print, but I found copies listed on Amazon (affiliate link) and AbeBooks
- I also found this blog post about the book. Includes a handful of page scans.
I make Ludiphilia entirely on my own — I even compose the music now. It's a labour of love, and I have no plans of quitting as long as I can afford to pay the hosting and domain fees, but I would very much like to spend more time on it than I currently do. That requires money, unfortunately.
So if you'd like to support the show, you can make a donation via Patreon or PayPal. (Or email me at richard at ludiphilia dot net if you have some other thing you like to use for donations.) For PayPal, use the payment form on paypal.me/mossrc. For Patreon, head to patreon.com/ludiphilia.
You can also support the show by leaving a rating and review on iTunes and sharing it with other people. And by buying my first book, The Secret History of Mac Gaming, the profits from which are helping me make my podcasts better (through equipment upgrades, reduced freelance income pressures, and the like).